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Giuseppe Moretti was born in Siena, Italy, and immigrated to the United States in 1888. For 40 years he sculpted monuments and heroic figures in the United States and Cuba, employing the Beaux-Arts technique, known for its neoclassical style that tended to be heroic and dramatic in nature. Mor etti, known for his eclectic personality and for always wearing a green tie, was a prolific artist with completion of 12 World War I memorials, 19 monumental works, six church sculptures, 24 memorial tablets, 14 cemetery memorials, 27 sculptures in marble, bronze, and aluminum, and 27 bronze statuettes. He created the Soldiers and Sailors Monument in Toronto in 1919 as a tribute to the 300 local citizens who answered the call for service during World War I. His other Ohio works include the John Patterson Monument (1925) in Dayton and statue of Simon Perkins (1895) in Akron.
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On a forested hillside south of New Straitsville, the spacious 1000 square foot Robinson’s Cave offered a secluded location with great acoustics where large groups of Hocking Valley coal miners could meet in secret. Beginning in about 1870, labor-organizing meetings were held at the cave by various emerging unions including the Knights of Labor. New Straitsville resident Christopher Evans, a well-known union organizer, used Robinson’s Cave to lead miners throughout the long Hocking Valley Coal Strike of 1884-1885. These meetings gave the miners a voice in the formation of a national organization called the National Federation of Miners and Mine Laborers, later renamed the National Progressive Union. The cave was also where non-union miners met to plan to set the Columbus & Hocking Coal & Iron Company mines on fire in a desperate attempt to end the Hocking Valley Strike. [continued on other side]
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The Episcopal Society of Huron was organized in 1837, the Rev. F. M. Levenworth, pastor. The cornerstone of this building was laid May 23, 1838; it is the oldest church building in Huron, standing near what had been the original southern limit of the village. The Rev. Samuel Marks became pastor in 1839 and continued for over 40 years. This marker commemorates the church’s sesquicentennial observance in 1988.
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The Burton Congregational Church was organized in 1808 and met in several nearby locations before this present building was erected in 1836 at a cost of $4,000. It was originally located within the park directly opposite where it stands today, but was moved to its present location in 1850. The steeple, rising 104 feet from the ground, crowned the roof in 1875. The church building was frequently used as a public hall and for many years was also used as the main hall for the Agricultural Fair, the forerunner of the Great Geauga County Fair. A former architect referred to the church as “Steamboat Gothic” because of its unusual appearance, but to its membership and friends it is just a beautiful place to worship God.
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Rossville was settled in April 1801 shortly after the U.S. Government initiated land sales west of the Great Miami River. Its original proprietors–John Sutherland, Henry Brown, Jacob Burnet, James Smith and William Ruffin–named the town in honor of Pennsylvania Senator James Ross (1762-1847), who favored Ohio statehood and advocated free navigation of inland rivers. These founders envisioned Rossville as a shipping port for the rapidly growing population of farmers settling west of the Great Miami. The most practical outlet for their products was by flatboat down the Great Miami, Ohio, and Mississippi rivers to New Orleans. The town of Rossville was founded in 1804, the year after the Louisiana Purchase, which made the Mississippi River a United States possession. (Continued on other side)
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Organization of the congregation began in 1848 under the Rev. George Van Eman, and a charter was granted in 1854. The oldest Presbyterian church building in continuous use in Hancock County, the sanctuary was constructed in 1855-56. Members of the congregation included first Congressional Medal of Honor recipients John R. Porter and William Bennsinger, honored for their exploits as members of Andrews Raiders during the Civil War.
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The Rev. Jacob Ward founded the Brunswick Methodist Episcopal Church in April 1817 with 13 members: Rhoda Stow, John and Lucy Stearns, John and Hannah Hulet, Samuel and Sarah Tillotson, Thomas and Phoebe Stearns, Solomon and Polly Harvey, Lydia Crittenden, and Olivia Ashley. In 1830, John and Lucy Stearns donated land for a cemetery, which included space for a church. A new church was completed in 1872. Bricks used for the building were fired locally and the first windows were glazed with clear glass and protected by shutters. In 1916, the church was extensively remodeled and redecorated. Stained glass replaced the clear glass, the church bell was relocated to the newly-added tower, and the main entrance was moved from the center of the building to the vestibule in the tower. (Continued on other side)
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Among the fifty-four buildings that comprise the Mentor Avenue District are examples of Federal, Greek Revival, Early Romanesque Revival, Italianate, Second Empire, Queen Anne, and twentieth century eclectic styles. Renowned master builder Jonathan Goldsmith (1783-1847), whose Federal and Greek Revival designs define the so-called “Western Reserve” style, built at least two of these houses; the Denton-Powers House (ca. 1820) is representative. The Mentor Avenue District was added to the National Register of Historic Places in 1979. The Painesville City Hall, the Sessions House (157 Mentor Avenue) and the Smead House (187 Mentor Avenue) are also listed individually on the National Register.
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