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The Canfield WPA Memorial Building was constructed by the Works Progress Administration, a federal government program instituted by President Franklin D. Roosevelt as an effort to aid the United States in its recovery from the Great Depression of the late 1920s and 1930s. Local merchant Arron Weisner donated lands on the west side of Broad Street for the proposed project. A six member committee, comprised of two persons each representing the Argus Masonic Lodge, the American Legion, and the Village of Canfield, determined that the building be “a community building built around community projects.” Through local subscription and $60,000 in federal funds, the WPA project moved forward. The Youngstown architectural firm of W.H. Cook and W. Canfield designed the building in the Colonial Revival style. A ground breaking ceremony was held on December 20, 1935. During World War II, the United States government maintained offices in the building. (Continued on other side)
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Cora Gaines Carrel was the first woman to serve on a city council in the state of Ohio. Appointed by Mayor Josiah Jordan when the 19th amendment to the U.S. Constitution gave women the right to vote, Carrel pioneered city planning and zoning ordinances while on the Willoughby city council from January 1, 1921 until December 31, 1924. A schoolteacher in her youth, she held every local and state office in the Order of the Eastern Star, serving as Grand Worthy Matron in the fraternal organization. Her 1901 book of poems, Buckeye Ballads, hailed Ohio’s centennial. She was president of the Cleveland Press Club and active in the Cleveland Women’s City Club and the suffrage movement. A pioneer in Ohio’s political history, she was described as “A kind and generous woman whose happiness was gained by helping others to be happy.”
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On this site the Lyceum Village and the Berea Seminary were established in 1837 by John Baldwin, James Gilruth, Henry O. Sheldon, and Josiah Holbrook. Their vision was to create the first in a connected series of Lyceum Villages. The Villages were designed especially to assist in the education of teachers, promote “scientific” exchanges over the world and thus encourage the study of the works and word of God, and cultivate the spirit of “peace on earth and good will to men.” The community, however, declined and in 1842, John Baldwin assumed the indebtedness of $15,000. James Wallace acquired the area. It was owned by the Methodist Children’s Home in the 1860s and then sold to German Wallace College in 1866, becoming the original German Wallace College campus.
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The Peoples Bank Theatre, built in 1919 and called the Hippodrome, marks an age when movies transitioned from silent films and nickelodeons into a major national industry and pastime. Designed by Columbus architect Fred Elliott for the C&M (Cambridge and Marietta) Amusement Company, the theatre featured a granite archway, 1,200 seats, a 35-by-55-foot stage, an orchestra pit, and the first air conditioning of its kind in Marietta. The Hippodrome opened May 9, 1919 with the silent film Daddy Long Legs, starring Mary Pickford. Shea Theatres of New York bought the Hippodrome and remodeled it in 1949, replacing the Hippodrome’s distinctive stone archway with a two-story southern colonial-style facade. Renamed the “Colony,” it opened June 25, 1949, showing the Esther Williams’ musical Neptune’s Daughter. (Continued on other side)
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Envisioned by Fairview Village Mayor, David R. Bain, this community center was originally completed in 1937 as a project of the Works Progress Administration (WPA), a Depression-era work relief program initiated by the Federal Government in 1935. A fire destroyed the original log cabin on December 14, 1937, just four days before the planned dedication. With the support of the community, Mayor Bain turned again to the WPA for funding and labor to rebuild the structure. This cabin, constructed of bricks on the original foundation, features an 8’x12′ mural painted by artists of the WPA’s Federal Art Project and which depicts Fairview’s history through the 1930s. The new cabin was dedicated on January 15, 1940, and was named in honor of Mayor Bain in 1957, four years after his death.
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This section of the Miami and Erie Canal, constructed from 1833-1837, was vital to this region’s commerce and development. It allowed for farmers and businesses to get their goods to larger markets at a lower cost and faster speed than by hauling overland. Passengers could also travel across the area by canal boat. John Clark saw the location of the Lock 15, situated in Monroe Township at the junction of the Milton-Carlisle Pike (Main Street), as an opportunity and in 1840, platted the new town of Tippecanoe City (now Tipp City). Many types of commerce and trade grew up around the canal including boarding houses, saloons, a tannery, and a mill. Some of the original buildings still stand, such as a mill to the west of Lock 15, John Clark’s home at the southeast corner of Main and First streets, and the hotel at the northeast corner of Main and Second streets.
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Marion A. Harrison established M.A. Harrison Memorial Airfield, formerly Harrison Airport, in 1946 on land encompassing 80 acres. This facility served to promote aviation activities in the Birmingham community with flight charters, flight instruction, and rides. Birmingham Metal Products was located here during World War II producing fighter aircraft fuel parts, and the airfield was used to train civilian pilots. Today, it remains dedicated to flight.
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Dayton natives Hermene (1902-1986) and Josephine Schwarz (1908-2004) were pioneers of dance who founded one of the first regional ballet companies in the country. In 1927, they opened the Schwarz School of Dance, which eventually became the Dayton Ballet in 1978. Josephine’s choreography blended classical ballet traditions and contemporary dance, creating a fusion of styles that through her students and other companies shaped the development of dance in the United States. The sisters are credited with introducing organized dance to African-American and underserved children in the Dayton area. As part of the sisters’ legacy, Josephine created a fund at the Dayton Foundation in memory of Hermene to support Dayton arts and artists.
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