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Frederick Douglass, the formerly enslaved man celebrated as one of America’s most powerful abolitionist voices, delivered a historic commencement address at Western Reserve College on July 12, 1854. Invited by the graduating students of the Philozetian and Phi Delta literary societies, Douglass passionately delivered his two-hour speech, “The Claims of the Negro: Ethnologically Considered,” to a gathering of 3,000. Douglass challenged the rising tide of scientific racism and promoted the shared humanity and equality of all people. At a time when few Black Americans were granted such a platform, the moment embodied the spirit of abolition that defined the Western Reserve region. In an era of deep national division, the students’ bold invitation and Douglass’s powerful message affirmed education’s enduring role in advancing truth and justice.
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The Lanes, Baptist merchants from New Orleans, and the Kempers, a Presbyterian family from Cincinnati, gave money and land respectively for Cincinnati’s first manual labor theological seminary and high school, which opened in suburban Walnut Hills in 1829. The Reverend Lyman Beecher came from Boston as its first president. The president’s house, now known as the Stowe House after Beecher’s daughter Harriet Beecher Stowe, author of Uncle Tom’s Cabin, still remains at Gilbert and Foraker. Lane Theological Seminary, bound by present day Gilbert, Chapel, Park, and Yale streets, continued to educate Presbyterian ministers until 1932, when it was merged with McCormick Theological Seminary in Chicago.
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The Upper Arlington Historic District, listed on the National Register of Historic Places in 1985, is an important example of the “Garden City” model of early 20th century suburban development. Based on English precedents, the “Garden City” movement promoted the ideals of rustic beauty, health and comfort in an era when urban areas were becoming increasingly industrialized and congested. Local entrepreneurs King and Ben Thompson purchased 840 acres of farmland northwest of Columbus from James T. Miller for the creation of their “Country Club District” in 1913. The Upper Arlington Company, incorporated in 1917, built its field office in the building now used as Miller Park Library. Noted landscape architect William Pitkin, Jr. designed the curvilinear streets, spacious lots with generous setbacks, and permanent open spaces that characterize the district. Residential, civic, and commercial designs in the romantic Period Revival architectural styles popular between 1915 and 1940 contribute to the charm and character of the area known as Old Arlington.
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Edward Drummond Libbey High School . Edward Drummond Libbey High School – “the castle on the hill” – opened in 1923 to serve the growing number of students in Toledo Public Schools. The school offered a curriculum of manual and academic training, reflecting a progressive movement during the late 19th and early 20th centuries to democratize education. Libbey High School was named for Edward D. Libbey (1854-1925), a local businessman, civic leader, and philanthropist who founded the Libbey Glass Company and Toledo Museum of Art. Libbey’s successful business ventures earned Toledo the nickname “The Glass Capital of the World.” Much of his fortune was spent on providing cultural and educational institutions that still serve the public as of 2018. (Continued on other side)
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In August 1903, architects Daniel H. Burnham, John M. Carrere, and Arnold W. Brunner presented Mayor Tom L. Johnson and the City of Cleveland a plan that epitomized the City Beautiful Movement in America. The Group Plan envisioned a grand landscaped mall surrounded by public buildings in the Beaux-Arts style. The plan would create a monumental civic center, influence the design of buildings throughout the city, and lay the foundation for a city planning commission. The first of its kind in the nation, the Group Plan, as built, was the most completely realized of Burnham’s city planning efforts. In its green space and architecture, the Mall remains an enduring and vital element of Cleveland’s civic culture. (continued on other side)
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The Society of the Disciples in Carthage (Carthage Christian Church, Disciples of Christ) was organized under the teaching of Pioneer Evangelist Walter Scott in 1832. He is recognized as one of the four primary leaders of the Stone-Campbell Movement. His prolific evangelistic work among people of the American frontier played a vital role in the settling and development of the Ohio Valley. Scott moved to Carthage, Ohio in 1832, where he established the Society of the Disciples in Carthage on this site. During his thirteen year tenure there as Founding Pastor, he published his greatest works, served as the first president of Bacon College, and traveled extensively to help establish new congregations.
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Since 1839, the Mt. Healthy Christian Church (established as the Church of Christ at Mt. Pleasant) has served as a model for global ministry and missions for Disciple of Christ churches emerging from the actions of the Restoration (Stone-Campbell) Movement. Founding Pastor David S. Burnet established the church at Mt. Pleasant with the collaboration of Restoration Movement leaders, including evangelist Walter Scott. Elder Burnet established the Christian Bible and Missionary Societies with Scott and others in 1848 in Cincinnati to nationally organize and unify the followers of the Restoration Movement. The church founded by Burnet in Mt. Pleasant has had continual significant leadership, including the Reverend Archibald McLean, leader of the movement’s reorganized Foreign Christian Missionary Society.
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George Bellows (1882-1925) is widely recognized as one of America’s premier artists. His vivid portrayals of modern urban life have become indelible icons of American art. Born and reared in Columbus, he retained close ties here throughout his life. Bellows gained fame while a young artist in New York, becoming a key figure among a group of artists nicknamed the “Ashcan School” because of their preference for commonplace subjects painted in dark colors. Bellows also excelled at printmaking, and it was largely through his efforts that lithography came to be accepted as a fine art in America. Bellow’s career was unexpectedly cut short by his death from complications following an appendectomy at the age of forty-two.