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“…on Sunday morning, especially in the African American community, you could go down the street and hear The Wings Over Jordan just coming from everybody’s house….” Glenn Brackens, 2017. Upholding the sanctity of traditional African American spirituals, believing in the power of radio to uplift listeners, and recognizing his choir’s rich talent, Rev. Glenn T. Settle (1894-1967), pastor of Gethsemane Baptist Church, originated the “Negro Hour” on Cleveland’s WGAR in 1937. The Sunday morning radio show featured the choir’s moving renditions of spirituals and was originally directed by James Tate (1918-1986). Williette Firmbanks Thompson (1910-1992) was assistant director and a soloist (Continued on other side)
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Invited to speak at three Cleveland high schools, Dr. Martin Luther King Jr. delivered his powerful “Rise Up!” speech to students at Glenville High School on April 26, 1967. It signaled King’s opening drive to elect African Americans to prominent government positions in northern cities. Encouraging students to “develop a sense of somebodiness,” King challenged them to “work passionately and unrelentingly for first-class citizenship.” Recognizing the fear of racial unrest in the city, King underscored the significance of nonviolence. “Our power lies in our ability to say non-violently that we’re not going to take it any longer,” he asserted. Making Carl Stokes’ mayoral bid the focus of his push for Black voters to elect Black leaders, King urged Glenville’s students to join civil rights organizations and community action programs.
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Civil unrest rocked the Hough neighborhood for five nights during the summer of 1966.When the white owners of the Seventy-Niners Cafe refused to serve a Black customer a glass of water, a sign bearing a racial epithet subsequently appeared outside the bar. Decades of institutionalized racial practices that had caused Hough’s substandard and overcrowded housing, high unemployment, economic exploitation, lack of access to quality education, and systemic police harassment sparked an urban uprising in response on July 18. Angry crowds gathered outside the bar only to be confronted by the owners brandishing firearms. When the police belatedly responded, tensions escalated into targeted firebombing, looting, and vandalism. On Tuesday night, July 19, Cleveland’s Mayor Ralph Locher requested that the Ohio National Guard restore order. (Continued on other side)
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Guardians of Traffic,” four double-sided figural pylons towering over 40-feet above either end of the Hope Memorial Bridge, have connected Cleveland’s east and west side since 1932. They were designed by architect Frank R. Walker and lead sculptor Henry Hering. More than 20 immigrant stonemasons — many fromthe Italian village of Oratino — carved the figures at Ohio Cut Stone Company on Random Road from sandstone quarried in nearby Berea. The Italian sculptors lived or worshipped in Cleveland’s Little Italy. Each hand-carved Guardian holds a different vehicle, meant to portray the history of ground transportation. Voted “an outstanding architectural triumph” by the American Institute of Steel Construction in 1936, the bridge and its iconic Guardians were added to the National Register of Historic Places in 1976.
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