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Fostoria’s glass era began when natural gas was discovered in the mid 1880s at “Godsend,” five miles west of town. Aided by former governor Charles Foster, Fostoria attracted more than a dozen companies that manufactured utilitarian and decorative glassware from 1887 to 1920. These companies produced windows, bottles, tableware, lamps, shades, and electric incandescent lamps. The Fostoria Glass Company was the best-known manufacturer of glass in Fostoria. From 1887 to 1891, it made a wide variety of decorative glass including its famous “Victoria” pattern tableware. Even after the company relocated to Moundsville, West Virginia following the depletion of natural gas in the area, it retained the name “Fostoria, ” which is still synonymous with excellence in the glass-making art.
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Seeking an alternative transportation route to distant markets, many farmers and manufacturers in Ohio wanted to connect the Ohio River to Lake Erie with a canal. Beginning in Cleveland the Ohio-Erie Canal ran south, the length of the state, to Portsmouth. The canal was a total of 308 miles long, 40 feet wide at the surface, and 4 feet deep. The Ohio-Erie Canal opened for traffic along its entire length in 1832 and consequently effected great change. Population along the canal increased, and commercial, political, and industrial growth in Ohio boomed. Products grown and manufactured in this previously isolated region now had access to world markets. Profits for farmers and merchants increased, and the entire state economy was bolstered. With the rise of railroads in the 1860s, however, canals were destined to become obsolete because the railroad was a faster and more dependable means of transportation. The canal system ceased to operate altogether after a disastrous flood in 1913.
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This site is dedicated to Dominick Labino, 1910-1987, glass scientist, engineer, artist, and inventor. Credited with 57 patents, Mr. Labino invented pure silica fiber which was used in insulating tiles covering the space shuttle Columbia and the Apollo, Mercury, and Gemini spacecraft. As a glass artist, Labino was co-founder of the studio glass movement in America. His art works are in over 60 museums in the U.S. and abroad, and his architectural elements of hot cast panels are in many public buildings. His forte was original formulation of glass of high quality, durability, and unusual color effects. A resident of Grand Rapids since 1956, he was a benefactor and warm friend to the village.
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The village of Chagrin, founded in 1798, changed its name in 1834 to honor Dr. Westel Willoughby, a pioneer medical educator. That same year, the Willoughby University of Lake Erie was chartered, and the Willoughby Medical College opened its doors, signaling the beginning of medical education in northern Ohio. The Medical College trained 160 doctors, educated in contemporary methods of medicine, anatomy, chemistry, and surgery. Financial struggles and public outcry against grave-robbing — which supplied cadavers for anatomy classes — hampered the college’s development. The movement of faculty to Cleveland and the transfer of the state charter to Columbus hastened the demise of the Medical College in 1847, and laid the foundation for the establishment of the medical schools of Case Western and Ohio State universities. (Continued on side two)
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With ready access to raw materials, fuel, skilled labor, and transportation, the Ohio Valley became the center of the American glass industry during the late 1800s. Among dozens of local manufacturers, the Imperial Glass Company, founded in 1901 by river man and financier Edward Muhleman, first made glass in 1904 and distinguished itself for mass production of attractive and affordable pressed glass tableware using continuous-feed melting tanks. One of the largest American handmade glass manufacturers during the 20th century, Imperial also produced blown glass, several lines of art glass, and its trademark “Candlewick” pattern. Bellaire’s glassmaking era ended when the “Big I” closed its doors in 1984, and the building was razed in 1995. Its diverse products remain highly prized by glass collectors.
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Giuseppe Moretti was born in Siena, Italy, and immigrated to the United States in 1888. For 40 years he sculpted monuments and heroic figures in the United States and Cuba, employing the Beaux-Arts technique, known for its neoclassical style that tended to be heroic and dramatic in nature. Mor etti, known for his eclectic personality and for always wearing a green tie, was a prolific artist with completion of 12 World War I memorials, 19 monumental works, six church sculptures, 24 memorial tablets, 14 cemetery memorials, 27 sculptures in marble, bronze, and aluminum, and 27 bronze statuettes. He created the Soldiers and Sailors Monument in Toronto in 1919 as a tribute to the 300 local citizens who answered the call for service during World War I. His other Ohio works include the John Patterson Monument (1925) in Dayton and statue of Simon Perkins (1895) in Akron.
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Founded in 1901 under the leadership of Edward Drummond Libbey, who established the glass industry in Toledo, the Museum building was designed by the architect Edward Green. It was completed in three stages in 1912, 1926, and 1933. From the outset the Museum has aimed to be a community and educational resource in the visual and performing arts.
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Meadowbrook Park began as a Tiffin, Fostoria & Eastern Electric Railway plan to draw weekend riders. Laura Stephenson Sneath, wife of a major company stakeholder, led the park development. Originally north of Wolf Creek, Meadowbrook included a baseball diamond and a 1902 dance pavilion. In 1923, William Richards purchased the buildings and leased the land from Henry Matthews of Matthews Boat Company. The pavilion was destroyed by fire under suspicious circumstances on October 12, 1925, but no one was charged. James Garfield Haugh, president of the Gem Manufacturing Company, purchased the land in 1925. (Continued on other side)
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