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The Stearns and Foster Company was co-founded by George S. Stearns, one of the founding fathers of the City of Wyoming, and Seth Foster. Family-owned for 139 years, the company saw the nation through three wars and the Great Depression. A few of its contributions to public service include-donating mattresses and drinking water to area residents during the great flood of 1937 and devoting nearly 80% of its resources to the war effort during World War II. In 1911, the company was one of the first to volunteer under what is now known as the Workman’s Compensation Act and offered life insurance to employees free of cost in 1914. The Stearns family contributed greatly to the City of Wyoming, serving on boards and commissions and helping make possible its first church, library, and high school.
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William McCulloch was born in Holmes County where he was educated in a one-room schoolhouse before moving to Wooster to attend high school and the College of Wooster. He attained prominence as Ohio’s Speaker of the House from 1939-1943 and House member from the Fourth Ohio Congressional District from 1948-1973. During his time in Washington, McCulloch was best known as a co-sponsor and staunch advocate of the Civil Rights Act of 1964. He was recognized by President Lyndon Johnson as the prime mover for passage of this landmark legislation. As a conservative Republican voice in the House, he was instrumental in championing other civil rights legislation, including fair housing and public accommodations. McCulloch was a founding partner in 1928 of the Piqua law firm that bears his name.
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In 1918, early Slovene immigrants organized the Slovenian Independent Society Home and later constructed this hall, which became the center for Barberton Slovene cultural, social, and recreational activities. They formed dramatic and singing clubs, conducting performances in their native language. In the early twentieth century, prior to employers providing insurance or health care for their workers, the society acted to ensure sick and death benefits for its members. It also prepared members for citizenship in their newly chosen country. First generation Slovenes provided the labor that helped spur the growth of local industries while succeeding generations have continued to contribute to the community in various business, industrial, professional, and governmental capacities.
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The first wave of Polish immigrants arrived in Toledo beginning in 1871. Most were Roman Catholics escaping oppression in Prussian Poland, where German chancellor Otto von Bismarck had instituted “Kulturkampf,” a policy of cultural assimilation. The first formal association of the Toledo Polonia (Polish community) occurred on October 16, 1875, when twenty-five families formed St. Hedwig Parish on that saint’s feast day. By 1900 Toledo had become a center of Polish population in America, and many Poles found work here in the growing glass and automobile industries.
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Bradford began, in 1852, as a construction camp of the Columbus, Piqua, and Indiana Railroad. When the Richmond and Covington Railroad made a junction here in 1864, the village grew with the railroad yard. There were 60 miles of track, a 50-stall roundhouse, and jobs for 2000 men. Community life in Bradford centered at the Railroad YMCA.
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Bradford began, in 1852, as a construction camp of the Columbus, Piqua, and Indiana Railroad. When the Richmond and Covington Railroad made a junction here in 1864, the village grew with the railroad yard. There were 60 miles of track, a 50-stall roundhouse, and jobs for 2000 men. Community life in Bradford centered at the Railroad YMCA.
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The first African American artist to achieve international acclaim, painter Robert S. Duncanson (1821-1872) was born in New York and settled in Cincinnati in 1840. He pursued his artistic career during a time of tremendous racial prejudice and was acknowledged as the “best landscape painter in the West.” Arts patron Nicholas Longworth commissioned murals from Duncanson around 1850 for his home Belmont, now the Taft Museum of Art; these paintings are regarded as one of the finest pre-Civil War domestic decoration schemes in the United States. Sponsored by anti-slavery groups, he traveled widely during the 1860s in Europe. Duncanson rose above oppression to create expressions of African American cultural identity, leading the way for other people of color to pursue careers in the arts.
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Founded in 1876 by a group of Toledo businessmen, Woodlawn Cemetery was designed in the tradition of the country’s “rural cemetery” movement, which was first popularized in Europe in the 1830s. This movement reflects the change in American burial practices in the nineteenth century as attitudes of death changed from grim to sentimental. The cemetery’s landscape emphasizes nature and art. Besides being a burial place, the cemetery is an arboretum, bird sanctuary, outdoor museum, and historical archive. Woodlawn also became a fashionable park for Toledo’s residents to escape the commotion of the city. The cemetery chronicles the growth of Toledo and northwest Ohio, and is an important cultural and historic landmark in regards to community planning and development, and landscape and building architecture. Historic Woodlawn Cemetery was listed on the National Register of Historic Places in 1998.
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