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Platted by educator and abolitionist Cyrus McNeely in 1849, Hopedale was the site of McNeely Normal School, later Hopedale Normal College, the first coeducational college for teachers in eastern Ohio. It operated from 1849 to 1902. Among its graduates was George Armstrong Custer in 1856. Hopedale served as an important stop on the Underground Railroad for slaves fleeing bondage in the southern states. Local tradition notes several “stations” in the village, three at private homes and one at a hotel.
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The Richwood Opera House and Town Hall was erected in 1890 as a community center designed to house the town council chambers, fire department, jail and opera house. The Richardsonian Romanesque styled building served Richwood in all these capacities for nearly 75 years. The Opera House was the site of minstrel shows, concerts, movies, lecture courses, revivals, farmers’ institutes, commencements, and community meetings. The second floor gymnasium was used for a men’s independent basketball league, dance classes, and as a teen center after World War II. Construction of an interurban railway running between Richwood and the resort town of Magnetic Springs in 1906 provided an expanded audience for the Opera House. (continued on other side)
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One of the most influential icons of American popular culture in the mid-20th century, Roy Rogers was born Leonard Franklin Sly on November 5, 1911 in Cincinnati. He moved to this farm at age 8 from Portsmouth and lived here with his family until the Great Depression. He went to California in 1930, working as a truck driver, fruit picker, and country musician before signing a movie contract with Republic Pictures in 1937. Immediately popular, the clean-cut singing cowboy appeared in more than 100 western films, often making six or more movies a year during the 1940s. With his nearly equally-famous horse Trigger and his wife and partner Dale Evans-“the Queen of the West”-he subsequently starred in more than 100 television episodes of the family-oriented Roy Rogers Show from 1951 to 1957. A perennial hero and “good guy,” Rogers personified the mythical American cowboy who always fought fairly and lived by a strong moral code. He died in California on July 6, 1998.
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Born Pearl Zane Grey in 1872 at this site and raised in Zanesville, author Zane Grey established the western novel as a twentieth century American literary genre. Trained as a dentist and practicing in New York City, Grey began writing full time following his marriage in 1905 to Lina Elise “Dolly” Roth, who served as his editor and agent. Grey’s novels featured rich western imagery and highly romanticized plots with often pointed moral overtones, inspiring scores of imitators. Of his more than 60 books, Riders of the Purple Sage (1912) is his best know work. Many of Grey’s novels were made into movies in 1920s and ’30s. In addition, Grey was the holder of ten world records for large game fishing, an avocation he pursued when not writing. He died in 1939 at his home in Altadena, California.
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The Peoples Bank Theatre, built in 1919 and called the Hippodrome, marks an age when movies transitioned from silent films and nickelodeons into a major national industry and pastime. Designed by Columbus architect Fred Elliott for the C&M (Cambridge and Marietta) Amusement Company, the theatre featured a granite archway, 1,200 seats, a 35-by-55-foot stage, an orchestra pit, and the first air conditioning of its kind in Marietta. The Hippodrome opened May 9, 1919 with the silent film Daddy Long Legs, starring Mary Pickford. Shea Theatres of New York bought the Hippodrome and remodeled it in 1949, replacing the Hippodrome’s distinctive stone archway with a two-story southern colonial-style facade. Renamed the “Colony,” it opened June 25, 1949, showing the Esther Williams’ musical Neptune’s Daughter. (Continued on other side)
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Steel-frame skyscrapers and retail buildings replaced wood-frame residences as the downtown evolved into a commercial district. A small public library branch occupied the north side of the square from 1923 to 1954. The Keith-Albee Theater (later the Palace) in the northeast corner of the square from 1926 to 1964, featured vaudeville performances and movies. Streetcar tracks around the square were removed for scrap during World War II. With expansion of suburban shopping malls, downtown theaters and department stores gradually closed. In 1973-74 Central Square was converted to a pedestrian Federal Plaza by closing off traffic on Federal Street one block east and west of Market Street. Central Square reopened in 2004 with a new traffic pattern, planting beds, and street furniture. Marker for “Central Square (1798-1899)” across the street.
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Established as the Oxford Township Cemetery in 1880, this public graveyard replaced the original one at the corner of College Avenue and Spring Street. That earlier burial ground was abandoned when the railroad bisected it in the 1850s. New cemeteries were established including the privately incorporated Oxford Cemetery, the Catholic Mt. Olivet Cemetery, and this one, renamed Woodside Cemetery in 1931. Bodies transferred here from the original graveyard included those of early 19th-century settlers, who were reinterred in the “Pioneer Quad” at the south end. The cemetery includes veterans of the nation’s wars, including one from the 54th Massachusetts regiment of Civil War fame, and generations of African Americans, who comprised 20% of Oxford’s population in the late 19th century. Maintained by the township and then jointly by the township and city, Woodside became solely the city’s responsibility in 2002.
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When radio station WJW disc jockey Alan Freed (1921-1965) used the term “rock and roll” to describe the uptempo black rhythm and blues records he played beginning in 1951, he named a new genre of popular music that appealed to audiences on both sides of 1950s American racial boundaries–and dominated American culture for the rest of the 20th century. The popularity of Freed’s nightly “Moon Dog House Rock and Roll Party” radio show encouraged him to organize the Moondog Coronation Ball–the first rock concert. Held at the Cleveland Arena on March 21, 1952, the oversold show was beset by a riot during the first set. Freed, a charter inductee into the Rock and Roll Hall of Fame, moved to WINS in New York City in 1954 and continued to promote rock music through radio, television, movies, and live performances.
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